| Cardinal George on liturgy
NCR’s John Allen interviewed Cardinal George last fall.
As you might expect, liturgy was one of the hot topics. The cardinal is
a member of the Vatican’s Vox Clara Commission, which works as a liaison
body between the International Commission on English in the Liturgy and
Rome’s Congregation for Divine Worship and the Discipline of the Sacraments.
The cardinal offered praise for ICEL’s work on Roman Missal II:
“ICEL itself was extremely critical of its own first translation. It isn’t
as if you had ICEL fighting for what we’ve got now. They created a new
translation for the second edition of the Roman Missal that is very different,
and I think very good in many ways. It has influenced the third edition,
which is being translated now.” That second translation, after approval
by the world’s English-speaking bishops, was deep-sixed in 1998. At the
same time, the forthcoming Roman Missal III was near completion.
The unspoken reason was that the 1969 translation guidelines had been secretly
rewritten and were soon to be published as the content for Liturgiam
Authenticam in 2001.
Cardinal George is concerned about possible negative reactions to yet
more liturgy changes when the new English translation is published in another
year or two: “It will be a lot harder, as we all know, to go from English
to English than [it was to go] from Latin to English. The Latin was foreign
anyway, and this was our language. Now we’ve got something that is our
language, and we’ve got something new that is also our language with a
slightly different cast. That’s going to be hard.”
Additionally, Cardinal George related, the factor of people returning
to reading new responses rather than praying from memory will be difficult.
For example, “It’s good when you say ‘We believe,’ and people go down the
line through the Creed. We’re changing four lines in that thing. It’s going
to be difficult. People will go back again to reading it, whereas for 20
years now we’ve just been able to remember it. That’s not going to be easy,
and nobody’s looking forward to it.”
I like his frank assessment of this. I disagree on his statement that
good catechesis will ease the transition. Some priests might assess
these changes more as politics (which, in part, they are) than as concern
for better liturgy. Some pastors will resent the bother, especially the
ones who don’t focus on liturgy. And some will refuse the changes, as will
more laypeople. It won’t be about catechesis. It will be a protest against
a perception of politicizing the liturgy.
The Vox Clara group expects the new English translation to be out by
the end of 2009. Given that several months of preparations and printing
will ensue, Advent 2010 seems a likely implementation date.
Prayer in space
With two other astronauts, Sheikh Muszaphar Shukor rocketed into
orbit in early October aboard a Soyuz spacecraft. Dr. Shukor, a Muslim,
inquired of his spiritual leaders of the best way to observe the holy month
of Ramadan during his 11-day assignment on the International Space Station.
The responses drew much public attention in his country of Malaysia and
in the rest of the Muslim world. Three important questions seemed of particular
importance.
1. How do devout Muslim astronauts pray five times daily when in low
Earth orbit they experience 16 sunrises and sunsets and have no sun-based
reference for day and night? Answer: Muslim scholars state astronauts will
be bound by the sun position at the point of launch. For Dr. Shukor on
this mission, it will be the Baikonur Cosmodrome in Kazakhstan.
2. How should one direct the body toward Mecca in the weightlessness
of space? Astronauts in Earth orbit may be traveling at a speed up to 17,500
mph relative to the Muslim holy city. Answer: Each astronaut may pray according
to his own capabilities; body posture and direction of prayer is at personal
discretion.
3. How does one conduct the sunrise-to-sunset fast of Ramadan? Answer:
Although Dr. Shukor wished to attempt the fast in space, he was given permission
to fast after his return to Earth at the conclusion of the mission.
“Being a Muslim going to space is a big responsibility for me not only
before the Malaysian people but all Muslims,” said Dr Shukor. “To be close
to God’s creation, I will feel more spiritual and I do hope to come back
and share all my feelings with other Muslims all over the world.”
I wonder if Christians have yet considered the ramifications of human
travel in space. In Earth orbit, astronauts live and work on a 24-hour
clock attuned to some place on the home planet. When bases are set up on
a place like Mars, with a day 40 minutes longer than on Earth, astronauts
will certainly adapt to the slightly longer cycle for sleeping and waking.
Eventually that will lead to liturgical complications. On Earth it has
been determined, for example, that the connection between Passover or Easter
and spring does not hold for southern-hemisphere Jews and Christians. They
follow the north’s calendar and observe those holidays at the onset of
southern autumn.
Mars will be impossible to keep in strict liturgical alignment with
Earth. Every 36 days, the local Sabbath will advance the equivalent of
one Earth day. After 15 weeks, our Sunday will be the same as Martian Wednesday.
Will the seven-day week be sacrificed every month or so to keep the calendar
in close alignment to Earthbound Christians?
Martian seasons will be even more offset from Earth’s. The Martian year
is 687 Earth days long. Will permanent settlers be obliged to keep a 365-day
year and have a sanctoral cycle totally unhinged from the local calendar?
Religion and art
The new website Catholica Australia (www.catholica.com.au/index.php),
advertising itself as “a vigorous discussion on Catholic spirituality,
theology, and faith for adults seeking to enrich their lives,” commenced
a series on religion and art this past October. The author, Peregrinus,
began
this series with a look at art in early Christianity. Given the church’s
rich heritage of art and music, “It comes as a bit of a surprise, then,
to realise that for the first two centuries of the church’s life, art appears
to have played almost no role. Little or nothing in the way of Christian
religious art from this period survives.”
Aside from the well-known symbols of fish, lamb, and cross, the first
devotional Christian art dates to about the year 235, an image of Jesus
telling the paralytic to “rise, take up your bed, and walk.” Interesting
that in this Syrian image, Jesus is portrayed wearing the clothes and hairstyle
of a Roman teacher. The same is true of many images of Jesus from the third
century. The gospels give no account of the physical appearance of the
Lord, nor much of his sense of style. Christians of these times portrayed
Jesus with contemporary trappings, not what would be considered historical
ones.
“The Christian faith is based on some stupendously big ideas — ideas
which really stretch our capacity to understand, never mind our capacity
to articulate. We’re not going to be able to express our faith without
making full use of all the modes of expression that we have. So it’s pretty
much a given that a lively Christianity is going to produce religious art.
And that’s why we have all those millions of plaster reproductions of the
Infant of Prague with the fingers chipped off, and Byrd’s Mass for Four
Voices,
and everything in between.” ML
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